“Pulsations” as visualisation of movements are paintings by Mariana Cinteanu which were created in an intense creating period lasting since 2006.
Without doubt due to their suggestive expression Pulsations represent a highlight of her oeuvre so far. The usage of the expression Pulsation is an attempt to describe the virtual visualisation of movements in the painting of Mariana Cinteanu.
Cinteanu owes her virtuoso application of graphical and pictorial means to her ego whereas her expressiveness is solely based on the impulsiveness of the alter ego. The painting first takes shape, if the alter ego as a powerful pulsating concordance completely pervades the artist and then emanates to the outside.
Using only two colours - Red and Black - completed by the white undercoat Mariana Cinteanu constantly creates new astonishing and stirring manifestations of movement.
In the pulsation of Red-Black Cinteanu successfully visualises the interaction of both fundamental movement patterns: the opening up expansion and the concentrating delimitation.
Beate Steigner-Kukatzki, "father of abstraction" and his children
"The Rhine Palatinate -. NO 288" 11 December 2009
• Gabriele Hoffmann, "Red and Black. Art on Paper at
Braun ", Stuttgarter Zeitung, Stuttgart, 2 March 2007
• Günter Baumann, "fine paper"
www.portalkunstgeschichte.de, March 2007
• Günter Baumann, "Red -. Pulsations in the Black Room"
www.portalkunstgeschichte.de, December 2006
• George strips, stutgarter newspaper, Stuttgart, 24 November '06
• Mathias Kübler, "E = mc2", passages, May 1994
• Andrea Kachelrieß, "Mariana Cinteanu," Art Bulletin,
April 1994
• "Walk through the galleries," Gabriele Hoffmann, culture,
Stuttgart, April 1994
• Nicole Fritz, "Mariana Cinteanu - The works on paper 93", Prince,
Stuttgart, March 1994
• Petra Most Bacher, "Mariana Cinteanu" Lift, March 1994
• In Munich art guide, as Gatermann, Ed Keyser
Munich 1992
• Dr. Ulrike Kiby, "Mariana Cinteanu - Portrait of an Artist", Nike,
October 1992
• H. Graubner, "Seven at once," Stuttgarter Nachrichten,
02/08/1992
• "Powerful color chords," Wiesbaden Tageblatt, 15.08.1991
• "Color with momentum," Wiesbaden Kurier, 19.07.1991
• C. Crüwell, "walk through the galleries," Frankfurter Allgemeine,
07/14/1991
• H. Graubner, "Southern Impressions", Stuttgarter Nachrichten,
12/31/1990
"The Rhine Palatinate -. NO 288" 11 December 2009
• Gabriele Hoffmann, "Red and Black. Art on Paper at
Braun ", Stuttgarter Zeitung, Stuttgart, 2 March 2007
• Günter Baumann, "fine paper"
www.portalkunstgeschichte.de, March 2007
• Günter Baumann, "Red -. Pulsations in the Black Room"
www.portalkunstgeschichte.de, December 2006
• George strips, stutgarter newspaper, Stuttgart, 24 November '06
• Mathias Kübler, "E = mc2", passages, May 1994
• Andrea Kachelrieß, "Mariana Cinteanu," Art Bulletin,
April 1994
• "Walk through the galleries," Gabriele Hoffmann, culture,
Stuttgart, April 1994
• Nicole Fritz, "Mariana Cinteanu - The works on paper 93", Prince,
Stuttgart, March 1994
• Petra Most Bacher, "Mariana Cinteanu" Lift, March 1994
• In Munich art guide, as Gatermann, Ed Keyser
Munich 1992
• Dr. Ulrike Kiby, "Mariana Cinteanu - Portrait of an Artist", Nike,
October 1992
• H. Graubner, "Seven at once," Stuttgarter Nachrichten,
02/08/1992
• "Powerful color chords," Wiesbaden Tageblatt, 15.08.1991
• "Color with momentum," Wiesbaden Kurier, 19.07.1991
• C. Crüwell, "walk through the galleries," Frankfurter Allgemeine,
07/14/1991
• H. Graubner, "Southern Impressions", Stuttgarter Nachrichten,
12/31/1990
mu bonito todo, mas la primera y la {ultima que eres tu.... un bacione e un abrazo, muchos cariños para ti y kretta...
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